"Enlightenment as transferred in: the traditional thinking of the contemporary restated" oil painting exhibition opening in Beijing
"Enlightenment as transferred in: the traditional thinking of the contemporary restated" oil painting exhibition opening in Beijing
National art museum of oil paining China, Chinese artists association, the university of British Columbia, Canada hosted "enlightenment as being: traditional thinking of the contemporary retelling" oil painting exhibition, will be important to the plagued the people one hundred years of trial a cultural proposition, and explore how to out of the traditional culture "enlightenment" contemporary "boundary", to restate colonial mentality, to get rid of traditional culture to establish self idea system.
Exhibition on July 6th to 18th in China portrait painting art gallery, exhibition hall of three layer. Well-known painter Zhu Naizheng served as moderator, teaching at the university of British Columbia, Canada Cao Xing original bear curator and focus, writing. Participating artists included Zhu Naizheng, Sun Jingbo, NieOu, Sue laughter, parker sea, HongLing, zhang yuan, jiang Sun Lixin, Zhang Lujiang, Cao Jigang, Zhang Dongfeng, Li Ronglin.
Given the exhibition creative contributions to academic thought and art thought, participating artists in the art conscious self culture positioning, curators through this exhibition, and profound theoretical construct for the exhibition, national art museum of China as a donation collection exhibition theme.
The exhibition by the curator construct in theory, by means of restated tradition, the criticism of the way to establish yourself as the goal, set yourself with a theory to discuss more art works is the first time in Chinese art history. Mr Zhu Naizheng written for the exhibition "the sequence", said: this exhibition academic concepts and oil painting theoretical framework of "put forward by curators Cao Xing original, and repeated communication with the dozens of participating artists, an academic proposition thought oil paintings concept and context slowly clear up. Because of this, the show is different from the general sense of the exhibition; at the same time interactive printing of a book of books, usually is not the exhibition catalog or by alternate with art. It is a study of contemporary Chinese oil painting many problems involved in monographs. Due to the curator a clear proposition in the oil painting reproductions exhibitions and monographs, and full capacity of academic thought, that I brought up, and other dozens of artists and curators made many fascinating communication meeting, get basic consensus, and hence can work together, move together."
It is because of the painter's unique art status and insist, makes them can't be followed western culture tide of "mainstream" defined. But it is because of dozen painters in the exhibition of their own traditions and culture of high starting point positioning, just so that they can't go with the flow, willing to accompany in the development of western oil painting the bottom. We based on their cultural inheritance theory in contemporary construction as the voice of his own making, their works of art, for the purpose of through this exhibition, do a contemporary definition for traditional thinking.
"Enlightenment as transferred in: the traditional thinking of the contemporary restated" exhibition "enlightenment as being" put forward based on the traditional way of criticism and creation concept emphasizes traditional core status in the contemporary context. Through to the composition of the contemporary cultural context, cultural behavior law is analysed, restate the contemporary language is contained in traditional thinking and build to more accord with Chinese habit of value judgment and thinking. Although oil painting originated from overseas, but through the years the popularity of painting methods and materials of study and research, we language of oil painting from unfamiliar to familiar, has become a part of the vocabulary of contemporary art of China. "Enlightenment as being" exhibition from the traditional and foreign vocabulary, on the basis of analysis of China's oil paintings draw an independent and equal cultural status. This exhibition structuring theory are reviewed based on the traditional proposition of two groups of thinking, its theoretical core is on two groups of everyday vocabulary of the historic and contemporary theory combined with the interpretation of works: one is the proposition as artistic creation process and the enlightenment; Two is as a result of the artistic proposition - the elephant and the land.
https://www.goldappleart.com/news/default.asp