Theory of the birth of painting - Wang Keju oil painting art
Theory of the birth of painting - Wang Keju oil painting art
Wang Keju is an enterprising artist, he has detailed understanding of art history of the development and current situation of art clear positioning, to his own art has conscious choice. Wang Keju is a brave practitioners, his strength not only from his enthusiasm and willpower, but also from his learning and thinking.
Wang Keju this generation of oil painters are advocating realism under the background of growing up, he had to native writing YouHuaJie emerge in China. But Wang Keju soon gave up his mastering techniques and distinctive style, more difficult to explore. In the eyes, Wang Keju this self-denial is can't understand; But, from the aesthetic point of view, it is the embodiment of the spirit of art. If there is no constant self-denial and explore, art became a mundane, it's not worth us to Revere and cherish. Wang Keju master, in fact, realistic painting, like most of his contemporaries, painter, involves only portrait painting technology, also didn't touch the painting spirit connotation.
Realism oil painting was born in Europe, in addition to the technical level, we see easily and spiritual dimensions we is not easy to find. Influenced by religion and philosophy in ancient Greece, European art in the form of the pursuit of perfection. So-called form, also called concept or principle, it is not the shape of the real thing, but to the prototype of the real thing or mould, timelessness that transcends time. European classical painting pursuit is the eternal or prototype, the ideal type, not only the reality of the transfer. In Chinese culture, we don't have a clear concept idea, not entirely beyond the shore or the kingdom of heaven, Chinese culture praise highly is not invariable prototype or mould, but metaphorically, unreal changes generated artistically. As a result, China has not developed European realism oil painting, in addition to technical reasons, there are different spiritual purport. If only from the technical study on European classical oil painting, just not to touch it, as the soul of art. However, as the European society to develop in the direction of modernization and secularization, classical oil painting reproductions lost survival spirit support. Impressionist revolution, not only embodies in technology, more important, reflect on the understanding of the real. The real world, is no longer considered prototype or mould, but things in space and time, they exist in the visual impression of a rapidly changing, constantly pass. When the pissarro painting repeatedly the same in different time of Montmartre street, he told people:
In fact no one abstract Montmartre street, only Montmartre at different time in the street. Therefore, we are not only a Montmartre street, but there are countless Montmartre street. Compared with the classical paintings eternal pursuit of real world, impressionist moments of real world found closer to the real world in the Chinese mind, because they are our real occupation this side of the world, rather than the other side of the fantasy world. Impressionism in European painting by heaven back to earth at the same time, also brought new problems: if the purpose of painting is portrayed in front of the world, why do we still need painting? We can not directly see the world? What painting can provide directly to watch the world different things than we do? In an age of photographic technology is becoming more and more developed, painting: is there anything can't replace by the camera? Impressionist painters, these problems were put forward to solve these problems is post-impressionist master. Plug ShangLiTu draw the wholesale structure of things, the van gogh tried to draw their own feelings, gauguin tried to draw the painting style, painting after infinite close to the outside world and turned to the painter's inner world, turned to the artist's understanding and feelings and language. After the development of the impressionist, after the western modern painting and traditional Chinese painting more close to.
However, due to various reasons, east and west painting eventually lost. Western painting to the abstract, pop, ideas, entered the dead end of painting.
Due to the changes of the society, Chinese paintings have encountered unprecedented challenges, in maintaining its own identity in the process of becoming a game in the form of life. Said today's painting faces of vital importance to the critical moment, it's no exaggeration. It is sensitive to the plight of contemporary painting, Wang Keju after his realistic style mature, still is beset by problems of how to painting. Is because of the clear consciousness of problem, Wang Keju change just had targeted. After have self doubt and negation, Wang Keju can also enthusiastic drawing, shows that he finally found his answer, finally found himself living in the drawing.
Would be Wang Keju oil painting scenery sketch. In order to cast off the yoke of the rigid prototype or mould, some of the Renaissance painter has insisted on the sketch, impressionist painter goal only by sketching to achieve. The sketch, the purpose of is to make the painting more close to reality, especially with the timeliness of the impressionist sense real. But Wang Keju sketch is not to the purpose of realism. Impressionist sense of realism, today can be replaced by the camera. Wang Keju sketch don't like photos, he pursuit in painting and impressionist painter is different. European romantic landscape painter also like painting, especially like to inaccessible or exotic place sketch, this is the purpose of a sketch seek novelty. Wang Keju sketch is different from this kind of curiosity. Is making itself, photography and painting is beyond the reach of advantage. Moreover Wang Keju selected sketch object, are all too familiar scene, itself does not have any spectacular effect. Some contemporary artists also like to go to outdoor sketching, painting process into action is the purpose of their art, become a striking news events, cause people to focus on painting subject matter. Wang Keju sketch is different from this kind of behavior art. Plain sketch of his actions on one hand, on the other hand he sketch object is bland, both don't have any news. What is the purpose of Wang Keju sketch? This is a question worth thinking about.
https://www.goldappleart.com/news/default.asp