Talks about China on oil painting art in the 1980 s
Talks about China on oil painting art in the 1980 s
"Bole" Wang Huaiqing as in 1980, fable, is considered to be symbol of the early reform and opening up China's calls for talents. Formal structure has a profound cultural origins
"No jazz tonight" Zhang Pei works in 1987, works with black and white monochrome painting language, shows the unique feelings of painter for reality
Qiu Ruimin "war like spring" in 1982, compared with the previous oil painting theme creation, the work has potential to show artists to think deeply about the realism creation language
JinShangYi "tajik bride" in 1983, it marked the artist to explore oil paintings of Chinese and western new road, achieve mastery through a comprehensive study in oil painting and Chinese painting freehand brushwork in traditional Chinese painting techniques into a new realm
"Father" in 1980, luo zhongli, become the image of the oil painting reproductions national spirit, witnessing the age and history
Second-ranking Wei Shaonong (east China normal university, dean of the school of design) - li chao, a professor at Shanghai university art institute,
Low w: since "May 4th", China's easel painting seemed to bear will be based on the traditional literary background and context of Chinese traditional art, converted cheap oil painting with science and democracy, and technology as the background of modern art. But with science and technology itself in the process of Chinese modernization achievements compared to the "modernization" of Chinese art history, is struggling.
Lee: today, we can focus on Chinese art in the 1980 s several main focus - 1984 sixth national arts exhibition, "oil painting art workshop" in 1985, the first China oil painting exhibition in 1987, the 7th national fine arts in 1989, to discuss the unique historical evolution, from realism "hammering wooden bridge" to the diversification of the kite line continuously ".
Low w: China in the last century of the last twenty years, began to truly integrate into the world, and until the 80 s, China's easel painting and other art, contemporary art with the world in time and space is still completely misplaced, although throughout the 80 s, especially 80 s Chinese easel painting, seem like will go all the history of western easel painting again.
Lee: this shift, it is from respect historical truth to the ontology of art. The eagerly chose western modern art, as a Chinese painter artistic style update the art ideas, change the important reference to the object. On the one hand, for China's traditional culture and all kinds of original, remote life interest, interested in western modern painting style on the other hand, the resulting representation, abstraction and symbol art trend.
YuXiaoFu "I gently knocking at the door" in 1984, the author is known for its vivid expressive realism, shows the new painting style
Low wei: this is a process of "looking at the world from China, what is in the process of the world, seems it doesn't matter, its origin and perspective of observation is very characteristics of The Times with the characteristic of China in the 80 s, after a" break "the excitement, it also reveals the confusion and perplexity, this time from the form of printmaking is diverse, from the point of view of thinking is single, the group consciousness and emotion expression, rather than the release of the personality and play.
Lee: in the 80 s is a passion and ideals of s, enthusiasm for reform and reconstruction, reflected in each of the arts community and art phenomenon. In the spring of 1985 the "oil painting art forum" of huangshan, in December 1987, the first China oil painting exhibition, it is this decade YouHuaJie of China's most prominent bright spot. Huangshan conference proposed "update artistic conception", "pursuing artistic personality". China oil painting exhibition "preface" said, "has nearly a century oil painting was introduced into China, it should be said that almost a decade is oil painting development the most popular, the most prosperous, the most promising period... the painter into such a new period of our great motherland and be pleased with... this is the first time since the founding of the national oil painting exhibition, not only is a summary of the historical stage, and is the beginning of a new stage."
Low w: in the late 80 s, China printmaking started towards the world, also started the marketization and commercialization of the era, Chinese easel oil painting from "see the world with China" to "to the world to see China's", namely the western standard and value orientation and aesthetic to judgment and choice of Chinese contemporary easel painting art, in the process, China's on the shelf artists get a lot, also lost a lot.
Lee: between gain and loss, is learn form creation and life relations, the so-called "the kite line continuously", point the did not cut the form element and the connection of real life, maintains personal for memory, fantasy, real world, as well as for the shape, portrait painting color, light and shadow is sensitive to performance, performance and realistic wind wind parallel situation. Representational and abstract eclecticism and intersection interspersed with, become the contemporary Chinese oil painting look.